This volume was written and recorded in a time when the great Northwest was rapidly becoming a settled country. With the passing of the traditional ways of the Indian much of the America's aboriginal folk-lore, rich in its fairy-like characters, and its relation to the lives of its native people has been lost. There is a wide difference between folk-lore of the so-called Old World and that of America. Transmitted orally through countless generations, the folk-stories of our European ancestors show many evidences of distortion and of change in material particulars; but the Indian seems to have been too fond of nature and too proud of tradition to have forgotten or changed the teachings of his forefathers. Childlike in simplicity, beginning with creation itself, and reaching to the whys and wherefores of nature's moods and eccentricities, these tales impress as being well worth saving. These 22 "Why" stories from the Blackfeet, Chippewa, and Cree tribes were handed down from father to son, with little var

This volume was written and recorded in a time when the great Northwest was rapidly becoming a settled country. With the passing of the traditional ways of the Indian much of the America's aboriginal folk-lore, rich in its fairy-like characters, and its relation to the lives of its native people has been lost. There is a wide difference between folk-lore of the so-called Old World and that of America. Transmitted orally through countless generations, the folk-stories of our European ancestors show many evidences of distortion and of change in material particulars; but the Indian seems to have been too fond of nature and too proud of tradition to have forgotten or changed the teachings of his forefathers. Childlike in simplicity, beginning with creation itself, and reaching to the whys and wherefores of nature's moods and eccentricities, these tales impress as being well worth saving. These 22 "Why" stories from the Blackfeet, Chippewa, and Cree tribes were handed down from father to son, with little var

This volume was written and recorded in a time when the great Northwest was rapidly becoming a settled country. With the passing of the traditional ways of the Indian much of the America's aboriginal folk-lore, rich in its fairy-like characters, and its relation to the lives of its native people has been lost. There is a wide difference between folk-lore of the so-called Old World and that of America. Transmitted orally through countless generations, the folk-stories of our European ancestors show many evidences of distortion and of change in material particulars; but the Indian seems to have been too fond of nature and too proud of tradition to have forgotten or changed the teachings of his forefathers. Childlike in simplicity, beginning with creation itself, and reaching to the whys and wherefores of nature's moods and eccentricities, these tales impress as being well worth saving. These 22 "Why" stories from the Blackfeet, Chippewa, and Cree tribes were handed down from father to son, with little var

This volume was written and recorded in a time when the great Northwest was rapidly becoming a settled country. With the passing of the traditional ways of the Indian much of the America's aboriginal folk-lore, rich in its fairy-like characters, and its relation to the lives of its native people has been lost. There is a wide difference between folk-lore of the so-called Old World and that of America. Transmitted orally through countless generations, the folk-stories of our European ancestors show many evidences of distortion and of change in material particulars; but the Indian seems to have been too fond of nature and too proud of tradition to have forgotten or changed the teachings of his forefathers. Childlike in simplicity, beginning with creation itself, and reaching to the whys and wherefores of nature's moods and eccentricities, these tales impress as being well worth saving. These 22 "Why" stories from the Blackfeet, Chippewa, and Cree tribes were handed down from father to son, with little var

This volume was written and recorded in a time when the great Northwest was rapidly becoming a settled country. With the passing of the traditional ways of the Indian much of the America's aboriginal folk-lore, rich in its fairy-like characters, and its relation to the lives of its native people has been lost. There is a wide difference between folk-lore of the so-called Old World and that of America. Transmitted orally through countless generations, the folk-stories of our European ancestors show many evidences of distortion and of change in material particulars; but the Indian seems to have been too fond of nature and too proud of tradition to have forgotten or changed the teachings of his forefathers. Childlike in simplicity, beginning with creation itself, and reaching to the whys and wherefores of nature's moods and eccentricities, these tales impress as being well worth saving. These 22 "Why" stories from the Blackfeet, Chippewa, and Cree tribes were handed down from father to son, with little var

This volume contains twenty-four such tales collected from around Wales by P. H. Emerson whilst living in Anglesea during the winter 1891-2. In most cases he amended them as little as possible, preferring to record the stories as told, staying true to the original, so that the written story would enchant readers as though it were being presented in the vernacular. Why do we call such a collection Fairy Tales? Well, when last did you hear a child say 'One more folk tale please' or 'Another nursery tale, please, grandma'? Fairy tales are stories in which occurs something 'fairy', something extraordinary--fairies, giants, dwarfs, speaking animals, or the remarkable stupidity of some of the characters. Stories of fairy interaction with humans - where the kind and thoughtful are blessed and the thoughtless and spiteful are punished. So take some time out and travel back to a period before television and radio, a time when families would gather around a crackling and spitting hearth and granddad or grandm

This volume contains twenty-four such tales collected from around Wales by P. H. Emerson whilst living in Anglesea during the winter 1891-2. In most cases he amended them as little as possible, preferring to record the stories as told, staying true to the original, so that the written story would enchant readers as though it were being presented in the vernacular. Why do we call such a collection Fairy Tales? Well, when last did you hear a child say 'One more folk tale please' or 'Another nursery tale, please, grandma'? Fairy tales are stories in which occurs something 'fairy', something extraordinary--fairies, giants, dwarfs, speaking animals, or the remarkable stupidity of some of the characters. Stories of fairy interaction with humans - where the kind and thoughtful are blessed and the thoughtless and spiteful are punished. So take some time out and travel back to a period before television and radio, a time when families would gather around a crackling and spitting hearth and granddad or grandm

This volume contains twenty-four such tales collected from around Wales by P. H. Emerson whilst living in Anglesea during the winter 1891-2. In most cases he amended them as little as possible, preferring to record the stories as told, staying true to the original, so that the written story would enchant readers as though it were being presented in the vernacular. Why do we call such a collection Fairy Tales? Well, when last did you hear a child say 'One more folk tale please' or 'Another nursery tale, please, grandma'? Fairy tales are stories in which occurs something 'fairy', something extraordinary--fairies, giants, dwarfs, speaking animals, or the remarkable stupidity of some of the characters. Stories of fairy interaction with humans - where the kind and thoughtful are blessed and the thoughtless and spiteful are punished. So take some time out and travel back to a period before television and radio, a time when families would gather around a crackling and spitting hearth and granddad or grandm

This volume contains twenty-four such tales collected from around Wales by P. H. Emerson whilst living in Anglesea during the winter 1891-2. In most cases he amended them as little as possible, preferring to record the stories as told, staying true to the original, so that the written story would enchant readers as though it were being presented in the vernacular. Why do we call such a collection Fairy Tales? Well, when last did you hear a child say 'One more folk tale please' or 'Another nursery tale, please, grandma'? Fairy tales are stories in which occurs something 'fairy', something extraordinary--fairies, giants, dwarfs, speaking animals, or the remarkable stupidity of some of the characters. Stories of fairy interaction with humans - where the kind and thoughtful are blessed and the thoughtless and spiteful are punished. So take some time out and travel back to a period before television and radio, a time when families would gather around a crackling and spitting hearth and granddad or grandm

This volume contains twenty-four such tales collected from around Wales by P. H. Emerson whilst living in Anglesea during the winter 1891-2. In most cases he amended them as little as possible, preferring to record the stories as told, staying true to the original, so that the written story would enchant readers as though it were being presented in the vernacular. Why do we call such a collection Fairy Tales? Well, when last did you hear a child say 'One more folk tale please' or 'Another nursery tale, please, grandma'? Fairy tales are stories in which occurs something 'fairy', something extraordinary--fairies, giants, dwarfs, speaking animals, or the remarkable stupidity of some of the characters. Stories of fairy interaction with humans - where the kind and thoughtful are blessed and the thoughtless and spiteful are punished. So take some time out and travel back to a period before television and radio, a time when families would gather around a crackling and spitting hearth and granddad or grandm

Myths and Folklore of Ireland is the first of many works published by the renowned American translator Jeremiah Curtin. The volume is comprised of twenty-three Irish myths, in which the the legends of Fin MacCumhail feature prominently. While the collection includes tales of Kings, Queens, princes, and princesses, it also tells stories of tailors' sons, fishermen, and many other normal folks who make good in the most surprising circumstances. More given to legend than fairy, Myths and Folklore of Ireland is better suited to adult readers than children. A percentage of the profits from this book will be donated to the Prince's Trust for education scholarships for the underprivileged.

Myths and Folklore of Ireland is the first of many works published by the renowned American translator Jeremiah Curtin. The volume is comprised of twenty-three Irish myths, in which the the legends of Fin MacCumhail feature prominently. While the collection includes tales of Kings, Queens, princes, and princesses, it also tells stories of tailors' sons, fishermen, and many other normal folks who make good in the most surprising circumstances. More given to legend than fairy, Myths and Folklore of Ireland is better suited to adult readers than children. A percentage of the profits from this book will be donated to the Prince's Trust for education scholarships for the underprivileged.

Myths and Folklore of Ireland is the first of many works published by the renowned American translator Jeremiah Curtin. The volume is comprised of twenty-three Irish myths, in which the the legends of Fin MacCumhail feature prominently. While the collection includes tales of Kings, Queens, princes, and princesses, it also tells stories of tailors' sons, fishermen, and many other normal folks who make good in the most surprising circumstances. More given to legend than fairy, Myths and Folklore of Ireland is better suited to adult readers than children. A percentage of the profits from this book will be donated to the Prince's Trust for education scholarships for the underprivileged.

Myths and Folklore of Ireland is the first of many works published by the renowned American translator Jeremiah Curtin. The volume is comprised of twenty-three Irish myths, in which the the legends of Fin MacCumhail feature prominently. While the collection includes tales of Kings, Queens, princes, and princesses, it also tells stories of tailors' sons, fishermen, and many other normal folks who make good in the most surprising circumstances. More given to legend than fairy, Myths and Folklore of Ireland is better suited to adult readers than children. A percentage of the profits from this book will be donated to the Prince's Trust for education scholarships for the underprivileged.

Myths and Folklore of Ireland is the first of many works published by the renowned American translator Jeremiah Curtin. The volume is comprised of twenty-three Irish myths, in which the the legends of Fin MacCumhail feature prominently. While the collection includes tales of Kings, Queens, princes, and princesses, it also tells stories of tailors' sons, fishermen, and many other normal folks who make good in the most surprising circumstances. More given to legend than fairy, Myths and Folklore of Ireland is better suited to adult readers than children. A percentage of the profits from this book will be donated to the Prince's Trust for education scholarships for the underprivileged.

Discover Tales from the Orient with our Far Eastern Folk Tale Books from Abela.

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978-1-907256-19-6 A Hundred Verses from Old Japan (Illustrated)
978-1-907256-20-2 Jataka Tales (Illustrated)
978-1-907256-23-3 Indian Fairy Tales (Illustrated)
978-1-907256-28-8 Tibetan Folk Tales (Illustrated)
978-1-907256-44-8 Philippine Folklore Stories

Discover Tales from the Orient with our Far Eastern Folk Tale Books from Abela.

Buy our 5 book set and enjoy our FREE Fairy Tales, Folklore, Myths, Legends and Other Childrens Stories from around the World eBook.

978-1-907256-19-6 A Hundred Verses from Old Japan (Illustrated)
978-1-907256-20-2 Jataka Tales (Illustrated)
978-1-907256-23-3 Indian Fairy Tales (Illustrated)
978-1-907256-28-8 Tibetan Folk Tales (Illustrated)
978-1-907256-44-8 Philippine Folklore Stories

Discover Tales from the Orient with our Far Eastern Folk Tale Books from Abela.

Buy our 5 book set and enjoy our FREE Fairy Tales, Folklore, Myths, Legends and Other Childrens Stories from around the World eBook.

978-1-907256-19-6 A Hundred Verses from Old Japan (Illustrated)
978-1-907256-20-2 Jataka Tales (Illustrated)
978-1-907256-23-3 Indian Fairy Tales (Illustrated)
978-1-907256-28-8 Tibetan Folk Tales (Illustrated)
978-1-907256-44-8 Philippine Folklore Stories

Discover Tales from the Orient with our Far Eastern Folk Tale Books from Abela.

Buy our 5 book set and enjoy our FREE Fairy Tales, Folklore, Myths, Legends and Other Childrens Stories from around the World eBook.

978-1-907256-19-6 A Hundred Verses from Old Japan (Illustrated)
978-1-907256-20-2 Jataka Tales (Illustrated)
978-1-907256-23-3 Indian Fairy Tales (Illustrated)
978-1-907256-28-8 Tibetan Folk Tales (Illustrated)
978-1-907256-44-8 Philippine Folklore Stories

Discover Tales from the Orient with our Far Eastern Folk Tale Books from Abela.

Buy our 5 book set and enjoy our FREE Fairy Tales, Folklore, Myths, Legends and Other Childrens Stories from around the World eBook.

978-1-907256-19-6 A Hundred Verses from Old Japan (Illustrated)
978-1-907256-20-2 Jataka Tales (Illustrated)
978-1-907256-23-3 Indian Fairy Tales (Illustrated)
978-1-907256-28-8 Tibetan Folk Tales (Illustrated)
978-1-907256-44-8 Philippine Folklore Stories

In this volume you will find 27 uniquely Slavonic and Cossack stories like "The Story Of Unlucky Daniel", "The Vampire And St Michael", "The Tsar And The Angel", "The Story Of Ivan And The Daughter Of The Sun" and more not heard in the west for many a year. This volume of stories has been selected from a Slavonic dialect extraordinarily rich in folk-tales. The language is Ruthenian, or the language of the Cossacks. This was the first translation ever made from Ruthenian into English. There are peculiar and original elements in these stories not to be found in the folk-lore of other European peoples, The comparative isolation of the Cossacks, and their remoteness from the great theaters of historical events, has seen favorable conditions for the safe preservation of old myths and the easy development of new ones. Ruthenian is a language intermediate between Russian and Polish, but independent of both. Its territory embraces, that vast area which lies between the Carpathian Mountains and the Sea of Azov,

In this volume you will find 27 uniquely Slavonic and Cossack stories like "The Story Of Unlucky Daniel", "The Vampire And St Michael", "The Tsar And The Angel", "The Story Of Ivan And The Daughter Of The Sun" and more not heard in the west for many a year. This volume of stories has been selected from a Slavonic dialect extraordinarily rich in folk-tales. The language is Ruthenian, or the language of the Cossacks. This was the first translation ever made from Ruthenian into English. There are peculiar and original elements in these stories not to be found in the folk-lore of other European peoples, The comparative isolation of the Cossacks, and their remoteness from the great theaters of historical events, has seen favorable conditions for the safe preservation of old myths and the easy development of new ones. Ruthenian is a language intermediate between Russian and Polish, but independent of both. Its territory embraces, that vast area which lies between the Carpathian Mountains and the Sea of Azov,

In this volume you will find 27 uniquely Slavonic and Cossack stories like "The Story Of Unlucky Daniel", "The Vampire And St Michael", "The Tsar And The Angel", "The Story Of Ivan And The Daughter Of The Sun" and more not heard in the west for many a year. This volume of stories has been selected from a Slavonic dialect extraordinarily rich in folk-tales. The language is Ruthenian, or the language of the Cossacks. This was the first translation ever made from Ruthenian into English. There are peculiar and original elements in these stories not to be found in the folk-lore of other European peoples, The comparative isolation of the Cossacks, and their remoteness from the great theaters of historical events, has seen favorable conditions for the safe preservation of old myths and the easy development of new ones. Ruthenian is a language intermediate between Russian and Polish, but independent of both. Its territory embraces, that vast area which lies between the Carpathian Mountains and the Sea of Azov,

In this volume you will find 27 uniquely Slavonic and Cossack stories like "The Story Of Unlucky Daniel", "The Vampire And St Michael", "The Tsar And The Angel", "The Story Of Ivan And The Daughter Of The Sun" and more not heard in the west for many a year. This volume of stories has been selected from a Slavonic dialect extraordinarily rich in folk-tales. The language is Ruthenian, or the language of the Cossacks. This was the first translation ever made from Ruthenian into English. There are peculiar and original elements in these stories not to be found in the folk-lore of other European peoples, The comparative isolation of the Cossacks, and their remoteness from the great theaters of historical events, has seen favorable conditions for the safe preservation of old myths and the easy development of new ones. Ruthenian is a language intermediate between Russian and Polish, but independent of both. Its territory embraces, that vast area which lies between the Carpathian Mountains and the Sea of Azov,