Myths and Folklore of Ireland is the first of many works published by the renowned American translator Jeremiah Curtin. The volume is comprised of twenty-three Irish myths, in which the the legends of Fin MacCumhail feature prominently. While the collection includes tales of Kings, Queens, princes, and princesses, it also tells stories of tailors' sons, fishermen, and many other normal folks who make good in the most surprising circumstances. More given to legend than fairy, Myths and Folklore of Ireland is better suited to adult readers than children. A percentage of the profits from this book will be donated to the Prince's Trust for education scholarships for the underprivileged.

Myths and Folklore of Ireland is the first of many works published by the renowned American translator Jeremiah Curtin. The volume is comprised of twenty-three Irish myths, in which the the legends of Fin MacCumhail feature prominently. While the collection includes tales of Kings, Queens, princes, and princesses, it also tells stories of tailors' sons, fishermen, and many other normal folks who make good in the most surprising circumstances. More given to legend than fairy, Myths and Folklore of Ireland is better suited to adult readers than children. A percentage of the profits from this book will be donated to the Prince's Trust for education scholarships for the underprivileged.

Myths and Folklore of Ireland is the first of many works published by the renowned American translator Jeremiah Curtin. The volume is comprised of twenty-three Irish myths, in which the the legends of Fin MacCumhail feature prominently. While the collection includes tales of Kings, Queens, princes, and princesses, it also tells stories of tailors' sons, fishermen, and many other normal folks who make good in the most surprising circumstances. More given to legend than fairy, Myths and Folklore of Ireland is better suited to adult readers than children. A percentage of the profits from this book will be donated to the Prince's Trust for education scholarships for the underprivileged.

Myths and Folklore of Ireland is the first of many works published by the renowned American translator Jeremiah Curtin. The volume is comprised of twenty-three Irish myths, in which the the legends of Fin MacCumhail feature prominently. While the collection includes tales of Kings, Queens, princes, and princesses, it also tells stories of tailors' sons, fishermen, and many other normal folks who make good in the most surprising circumstances. More given to legend than fairy, Myths and Folklore of Ireland is better suited to adult readers than children. A percentage of the profits from this book will be donated to the Prince's Trust for education scholarships for the underprivileged.

Myths and Folklore of Ireland is the first of many works published by the renowned American translator Jeremiah Curtin. The volume is comprised of twenty-three Irish myths, in which the the legends of Fin MacCumhail feature prominently. While the collection includes tales of Kings, Queens, princes, and princesses, it also tells stories of tailors' sons, fishermen, and many other normal folks who make good in the most surprising circumstances. More given to legend than fairy, Myths and Folklore of Ireland is better suited to adult readers than children. A percentage of the profits from this book will be donated to the Prince's Trust for education scholarships for the underprivileged.

It is a widely held belief, especially amongst the peoples of English-speaking nations, that the Irish have the gift of the gab. Samuel Lover's Irish Stories and Legends shows the utter truthfulness of this conviction. After a recitation by Samuel Lover of a few tales at a dinner party, he was subsequently convinced to publish two of them in the Dublin Literary Gazette. The favourable reception of these tales resulted in Irish Stories and Legends, an exquisite and exceptional volume of Irish folklore. Prepared and collated with very few changes, Samuel Lover wanted to stay true to the original stories, so that the written story would enchant readers as though it were being presented in the vernacular. So curl up with this unique piece of Irish folklore, not seen in print for over one hundred and seventy years, and let the Gift of the Irish enchant and captivate you. Samuel Lover (1797-1868) was an Irish novelist, a songwriter, and a painter of portraits. So famous was this son of Ireland that a me

It is a widely held belief, especially amongst the peoples of English-speaking nations, that the Irish have the gift of the gab. Samuel Lover's Irish Stories and Legends shows the utter truthfulness of this conviction. After a recitation by Samuel Lover of a few tales at a dinner party, he was subsequently convinced to publish two of them in the Dublin Literary Gazette. The favourable reception of these tales resulted in Irish Stories and Legends, an exquisite and exceptional volume of Irish folklore. Prepared and collated with very few changes, Samuel Lover wanted to stay true to the original stories, so that the written story would enchant readers as though it were being presented in the vernacular. So curl up with this unique piece of Irish folklore, not seen in print for over one hundred and seventy years, and let the Gift of the Irish enchant and captivate you. Samuel Lover (1797-1868) was an Irish novelist, a songwriter, and a painter of portraits. So famous was this son of Ireland that a me

It is a widely held belief, especially amongst the peoples of English-speaking nations, that the Irish have the gift of the gab. Samuel Lover's Irish Stories and Legends shows the utter truthfulness of this conviction. After a recitation by Samuel Lover of a few tales at a dinner party, he was subsequently convinced to publish two of them in the Dublin Literary Gazette. The favourable reception of these tales resulted in Irish Stories and Legends, an exquisite and exceptional volume of Irish folklore. Prepared and collated with very few changes, Samuel Lover wanted to stay true to the original stories, so that the written story would enchant readers as though it were being presented in the vernacular. So curl up with this unique piece of Irish folklore, not seen in print for over one hundred and seventy years, and let the Gift of the Irish enchant and captivate you. Samuel Lover (1797-1868) was an Irish novelist, a songwriter, and a painter of portraits. So famous was this son of Ireland that a me

It is a widely held belief, especially amongst the peoples of English-speaking nations, that the Irish have the gift of the gab. Samuel Lover's Irish Stories and Legends shows the utter truthfulness of this conviction. After a recitation by Samuel Lover of a few tales at a dinner party, he was subsequently convinced to publish two of them in the Dublin Literary Gazette. The favourable reception of these tales resulted in Irish Stories and Legends, an exquisite and exceptional volume of Irish folklore. Prepared and collated with very few changes, Samuel Lover wanted to stay true to the original stories, so that the written story would enchant readers as though it were being presented in the vernacular. So curl up with this unique piece of Irish folklore, not seen in print for over one hundred and seventy years, and let the Gift of the Irish enchant and captivate you. Samuel Lover (1797-1868) was an Irish novelist, a songwriter, and a painter of portraits. So famous was this son of Ireland that a me

It is a widely held belief, especially amongst the peoples of English-speaking nations, that the Irish have the gift of the gab. Samuel Lover's Irish Stories and Legends shows the utter truthfulness of this conviction. After a recitation by Samuel Lover of a few tales at a dinner party, he was subsequently convinced to publish two of them in the Dublin Literary Gazette. The favourable reception of these tales resulted in Irish Stories and Legends, an exquisite and exceptional volume of Irish folklore. Prepared and collated with very few changes, Samuel Lover wanted to stay true to the original stories, so that the written story would enchant readers as though it were being presented in the vernacular. So curl up with this unique piece of Irish folklore, not seen in print for over one hundred and seventy years, and let the Gift of the Irish enchant and captivate you. Samuel Lover (1797-1868) was an Irish novelist, a songwriter, and a painter of portraits. So famous was this son of Ireland that a me

Curl up with this unique piece of Irish folklore, not seen in print for over one hundred and seventy years, and let the Gift of the Irish enchant and captivate you.

Curl up with this unique piece of Irish folklore, not seen in print for over one hundred and seventy years, and let the Gift of the Irish enchant and captivate you.

Curl up with this unique piece of Irish folklore, not seen in print for over one hundred and seventy years, and let the Gift of the Irish enchant and captivate you.

Curl up with this unique piece of Irish folklore, not seen in print for over one hundred and seventy years, and let the Gift of the Irish enchant and captivate you.

Curl up with this unique piece of Irish folklore, not seen in print for over one hundred and seventy years, and let the Gift of the Irish enchant and captivate you.

Part of a Social Enterprise project. 33% is donated to organisations that specialise in educational scholarships for the underprivileged. Over the plains of Armenia towers Mount Ararat, on which, the Bible states, Noah's Ark rested after the flood. Here also is the traditional site of the Garden of Eden, and the four rivers that Genesis describes as rising in the Garden still flow through the land. Sitting astride an arm of the Silk Route, Armenia has been invaded and occupied at various times by Assyria, Babylonia, Persia, Greece, and the Seljuk Turks, to name but a few. In the fifth century, Armenia became the first country in the world to adopt Christianity as its national religion. Therefore, even a short outline of Armenian folklore and poetry must acknowledge the influences that have served to shape Armenian literature. These influences reflect the interwoven remnants of an intricate tapestry of ancient and modern cultures, legends, songs, and fragments of epics, creating a unique cultural and

Part of a Social Enterprise project. 33% is donated to organisations that specialise in educational scholarships for the underprivileged. Over the plains of Armenia towers Mount Ararat, on which, the Bible states, Noah's Ark rested after the flood. Here also is the traditional site of the Garden of Eden, and the four rivers that Genesis describes as rising in the Garden still flow through the land. Sitting astride an arm of the Silk Route, Armenia has been invaded and occupied at various times by Assyria, Babylonia, Persia, Greece, and the Seljuk Turks, to name but a few. In the fifth century, Armenia became the first country in the world to adopt Christianity as its national religion. Therefore, even a short outline of Armenian folklore and poetry must acknowledge the influences that have served to shape Armenian literature. These influences reflect the interwoven remnants of an intricate tapestry of ancient and modern cultures, legends, songs, and fragments of epics, creating a unique cultural and

Part of a Social Enterprise project. 33% is donated to organisations that specialise in educational scholarships for the underprivileged. Over the plains of Armenia towers Mount Ararat, on which, the Bible states, Noah's Ark rested after the flood. Here also is the traditional site of the Garden of Eden, and the four rivers that Genesis describes as rising in the Garden still flow through the land. Sitting astride an arm of the Silk Route, Armenia has been invaded and occupied at various times by Assyria, Babylonia, Persia, Greece, and the Seljuk Turks, to name but a few. In the fifth century, Armenia became the first country in the world to adopt Christianity as its national religion. Therefore, even a short outline of Armenian folklore and poetry must acknowledge the influences that have served to shape Armenian literature. These influences reflect the interwoven remnants of an intricate tapestry of ancient and modern cultures, legends, songs, and fragments of epics, creating a unique cultural and

Part of a Social Enterprise project. 33% is donated to organisations that specialise in educational scholarships for the underprivileged. Over the plains of Armenia towers Mount Ararat, on which, the Bible states, Noah's Ark rested after the flood. Here also is the traditional site of the Garden of Eden, and the four rivers that Genesis describes as rising in the Garden still flow through the land. Sitting astride an arm of the Silk Route, Armenia has been invaded and occupied at various times by Assyria, Babylonia, Persia, Greece, and the Seljuk Turks, to name but a few. In the fifth century, Armenia became the first country in the world to adopt Christianity as its national religion. Therefore, even a short outline of Armenian folklore and poetry must acknowledge the influences that have served to shape Armenian literature. These influences reflect the interwoven remnants of an intricate tapestry of ancient and modern cultures, legends, songs, and fragments of epics, creating a unique cultural and

Part of a Social Enterprise project. 33% is donated to organisations that specialise in educational scholarships for the underprivileged. Over the plains of Armenia towers Mount Ararat, on which, the Bible states, Noah's Ark rested after the flood. Here also is the traditional site of the Garden of Eden, and the four rivers that Genesis describes as rising in the Garden still flow through the land. Sitting astride an arm of the Silk Route, Armenia has been invaded and occupied at various times by Assyria, Babylonia, Persia, Greece, and the Seljuk Turks, to name but a few. In the fifth century, Armenia became the first country in the world to adopt Christianity as its national religion. Therefore, even a short outline of Armenian folklore and poetry must acknowledge the influences that have served to shape Armenian literature. These influences reflect the interwoven remnants of an intricate tapestry of ancient and modern cultures, legends, songs, and fragments of epics, creating a unique cultural and

Part of a Social Enterprise project. 33% is donated to organisations that specialise in educational scholarships for the underprivileged. Over the plains of Armenia towers Mount Ararat, on which, the Bible states, Noah's Ark rested after the flood. Here also is the traditional site of the Garden of Eden, and the four rivers that Genesis describes as rising in the Garden still flow through the land. Sitting astride an arm of the Silk Route, Armenia has been invaded and occupied at various times by Assyria, Babylonia, Persia, Greece, and the Seljuk Turks, to name but a few. In the fifth century, Armenia became the first country in the world to adopt Christianity as its national religion. Therefore, even a short outline of Armenian folklore and poetry must acknowledge the influences that have served to shape Armenian literature. These influences reflect the interwoven remnants of an intricate tapestry of ancient and modern cultures, legends, songs, and fragments of epics, creating a unique cultural and

Part of a Social Enterprise project. 33% is donated to organisations that specialise in educational scholarships for the underprivileged. Over the plains of Armenia towers Mount Ararat, on which, the Bible states, Noah's Ark rested after the flood. Here also is the traditional site of the Garden of Eden, and the four rivers that Genesis describes as rising in the Garden still flow through the land. Sitting astride an arm of the Silk Route, Armenia has been invaded and occupied at various times by Assyria, Babylonia, Persia, Greece, and the Seljuk Turks, to name but a few. In the fifth century, Armenia became the first country in the world to adopt Christianity as its national religion. Therefore, even a short outline of Armenian folklore and poetry must acknowledge the influences that have served to shape Armenian literature. These influences reflect the interwoven remnants of an intricate tapestry of ancient and modern cultures, legends, songs, and fragments of epics, creating a unique cultural and

Part of a Social Enterprise project. 33% is donated to organisations that specialise in educational scholarships for the underprivileged. Over the plains of Armenia towers Mount Ararat, on which, the Bible states, Noah's Ark rested after the flood. Here also is the traditional site of the Garden of Eden, and the four rivers that Genesis describes as rising in the Garden still flow through the land. Sitting astride an arm of the Silk Route, Armenia has been invaded and occupied at various times by Assyria, Babylonia, Persia, Greece, and the Seljuk Turks, to name but a few. In the fifth century, Armenia became the first country in the world to adopt Christianity as its national religion. Therefore, even a short outline of Armenian folklore and poetry must acknowledge the influences that have served to shape Armenian literature. These influences reflect the interwoven remnants of an intricate tapestry of ancient and modern cultures, legends, songs, and fragments of epics, creating a unique cultural and

Part of a Social Enterprise project. 33% is donated to organisations that specialise in educational scholarships for the underprivileged. Over the plains of Armenia towers Mount Ararat, on which, the Bible states, Noah's Ark rested after the flood. Here also is the traditional site of the Garden of Eden, and the four rivers that Genesis describes as rising in the Garden still flow through the land. Sitting astride an arm of the Silk Route, Armenia has been invaded and occupied at various times by Assyria, Babylonia, Persia, Greece, and the Seljuk Turks, to name but a few. In the fifth century, Armenia became the first country in the world to adopt Christianity as its national religion. Therefore, even a short outline of Armenian folklore and poetry must acknowledge the influences that have served to shape Armenian literature. These influences reflect the interwoven remnants of an intricate tapestry of ancient and modern cultures, legends, songs, and fragments of epics, creating a unique cultural and